I’ve written three feature length screenplays, produced two short films, and published three novels. Before quitting my day job, I spent more than thirty years as a marketing director building expertise in advertising, copy writing, corporate communications, collateral sales materials, website content/design and online marketing.
For more information about my novels, please visit www.davidgittlin.com
Fifty years have flown by at supersonic speed. I can flash back on memories of my childhood and adolescence and remember them clearly as if they happened yesterday. I try to be present for each remaining moment. I forget. I get lost in my head. Again and again. A week slips by in a day. Does time go slower when we are young? I think it does.
How is time going by for you?
I thought Joni Mitchell wrote and popularized “Who knows Where The Time Goes.” It turns out a British folk rocker named Sandy Denny wrote the song and Judy Collins made it famous. A little research can go a long way. Here’s my version of the song based on the way the late great Eva Cassidy played it.
Science Fiction Writing Tip For Today:
“You have to be out of your mind while knowing what you’re doing most of the time.”
In these troubling times, it seems like the world could go off a cliff at any moment.
I remember what it was like in the nineteen-sixties when we lived under the threat of nuclear devastation. Today, we live under the veil of multiple threats: COVID, cyber attacks, totalitarian regimes, Jihad, the environmental crisis and a few others topping the list. Taken together, I believe these threats have made the world a more dangerous place to live in than ever before.
Can I/we do anything about these threats? Let’s try to answer the question with some self-inquiry.
I’ve noticed on WordPress that there is a lot of blogging about the pain of life: heartbreak, lost loves, loneliness, anxiety, and more. Sure, pain is part of life, and people can relate to it. My question is: Is there something else?
The news carries stories constantly about the daily tragedies that occur around the world. Last night, for example, I was listening to a CNN report about a horrible flash flood in Germany. It’s good to know about these things, but is there something else I can focus on?
If I am a compassionate person and I listen to the suffering of others, is there someplace I can go to find peace, strength, and even, God forbid, Joy?
How many people in the world interrupt their complaining to find this place? Does it exist? Have you found it?
And finally, if I find peace within myself, will the world be a better and more peaceful place to live in?
Think about it.
Before we close, I’d like to continue the inquiry with some questions surrounding the hot topic of vaccinations.
If you don’t want to get vaccinated because the short or long-term effects are unknown, do you stand a better chance of survival if you get the more virulent COVID Delta Variant?
Did you know if the rate of Delta infections keeps rising, there is a very good chance the virus will mutate into even more virulent strains? Quite possibly, these new variants could be immune to our current vaccines.
Do you realize that not getting vaccinated puts not only you, but everyone else in the world at high risk?
If you are in good health, what is your reason(s) for choosing not to be vaccinated?
It seems I can’t end without singing you a song. Talking about the sixties, here’s one that goes back there. It’s from Steve Gillette’s debut album released in 1967. In my opinion, every song on this album is outstanding, except maybe the first one. Steve Gillette never made it to the top of the charts, but he’s a very talented artist.
“Back On The Street Again” is one Gillette’s best known songs. The song is about a lost love (there I go contradicting myself). It’s also about getting back up and moving on. I find the song to be touching and stirring. Maybe you will too.
“The universe buries strange jewels deep within us all, and then stands back to see if we can find them.”
Download Your FREE Copy Today. Now Through July 11th, 2021
The Silver Sphere started out as five episodes posted intermittently on this blog. I’ve deleted the posts, re-written the story, and now it is available on AMAZON worldwide for only $1.49. Download it today and treat yourself to an engaging, fun, Science Fiction thrill ride. To whet your appetite, here’s Part One.
IT WASN’T REALLY a sphere.
I found it on the beach. Right at the water’s edge. Actually, I’m not entirely sure I found it. The sphere may have found me in some karmic sort of way. We’ll have to wait until later to sort it out because, as I will soon learn, time is in short supply.
First things first.
My name is Jacob Casell. Two days ago, I left a comfortable beach house to go out for a stroll in the middle of the night. The full moon and stars were my sole companions. I needed to think about the ending of my latest novel. I found the water and the salt air helped to stimulate my creative thinking.
The night was clear. I splashed my feet in the tips of the tides. I felt the crisp ocean breeze ruffling my longish hair as if it were saying, tell me your story. Before I could answer, I almost tripped and fell. A thing about the size of a basketball rocked gently in the water at my feet. I had the distinct feeling it was looking up at me, even though it had no discernable eyes.
The thing at my feet was a shiny silver sphere punctuated by streamlined indentations on its sides. It had a hole in the center which, in the moonlight, revealed nothing but bottomless darkness. Hardly an eye. Not a human one, at least.
As I examined it, the sphere began to pulsate. I stepped a few feet away. The sphere flashed on and off like a strobe light. I wondered if the damn thing was about to explode. Suddenly, the sphere stopped strobing. Then, it spoke to me. A voice inside my head spoke in stilted English.
“Do not be alarmed,” the thing said. “The lighting effect was me reanimating my systems. No sense wasting energy while I was waiting for you to happen along. You certainly took your time, didn’t you? And, by the way, I’m not a ‘thing.’ I am a highly evolved organism. You can think of me as artificial intelligence. I am actually much more than an AI, but your mind is not capable of conceiving what I truly am.”
I drew back a few more steps thinking, I must be dreaming. This can’t be happening.
“For a man who writes novels, you display little imagination,” the sphere said.
I felt strangely comfortable speaking to the machine, as if speaking to a telepathic silver sphere was as everyday an occurrence as eating a tub of macaroni and cheese for dinner.
“How do you know I’m a writer?” I said out loud. I wasn’t in the habit of communicating telepathically, after all.
“I’ve absorbed quite a bit of information about you in the short time we’ve been together.”
“I’m not sure I like that.” I didn’t say it out loud this time. I thought it.
“It doesn’t matter if you like it or not.”
“It matters to me.”
It seemed like the machine was surprised by my response and needed time to process it. I pushed the advantage. “It sounds like you were expecting me.”
“I was expecting someone. I suppose you’ll do.”
“Uh huh. Do you have a name?”
“You can call me Arcon. A-R-C-O-N.”
“Got it. I suppose you came here from some far distant solar system?”
“Next you will ask me: ‘do I come in peace?’”
“The answer is yes and no. I’m not here to hurt anyone, but there will be worldwide chaos if news of my mission leaks out.”
“That sounds ominous.”
“It’s nothing compared to what will happen if you don’t help me to complete my mission.”
“Since you appear to know everything about me, you must realize that I’m not at liberty to help you. I’m past my deadline for turning in the final draft of a manuscript. My editor calls to scream at me daily.”
“There is a much bigger picture here than your manuscript. I’ll dispense with the formalities and call you by your first name which, naturally, I’ve learned without your help. I’m getting cold and tired of soaking in this sea water, Jacob. Please take me back to the beach house your wealthy friend has lent you.”
“But I just told you—”
“Pick me up, Jacob. If I miss my deadline, you won’t have to worry about yours.”
This is the prologue to the new edition of “Three Days to Darkness.” I’ve extensively rewritten the original novel (first published in 2010) to bring it up to date. It’s amazing how the world has changed in eleven years, but some things never change, like the themes grounding the story. I’ve also added a paperback edition to the digital edition, along with a spiffy new interior design. Don’t miss this heartwarming, humorous, and action-packed saga available at major online retailers worldwide.
Darius McPherson never saw it coming. His thoughts were elsewhere. On the kids. The ones he could save. They weren’t kids, really. Some of them were older than him. They were all tough and uneven around the edges, but a few of them were diamonds in the rough. They were the ones he considered his kids. They had real potential. They just needed someone to care about them. They needed a role model and some inspiration. Darius was happy to provide both. Not a bad summer gig for a guy waiting for his first year of law school to begin.
He pressed the bell on the side of the barred wooden door. The royal blue paint under the ugly bars gleamed in the direct sunlight and looked completely out of place in the burned-out industrial neighborhood in midtown Detroit.
He waited patiently to be buzzed into the youth counseling center. “Be right with you, Darius,” his supervisor said through the intercom. He liked Allison Turner. In her late thirties and twice divorced, she had managed to stay kind-hearted despite rough circumstances. She was also extremely capable. Allison had taught him more about inner-city teenagers than he could have learned in a decade on his own.
The door opened and a group of youthful offenders burst into the street. Darius knew several of them. They were attending classes at the center as part of their plea bargains. Darius smiled at them, even though he knew most of them were as dangerous as plastic explosive wired to detonate at the slightest provocation.
“Hey La Vonn” Darius called to the tallest boy in the group. “I hope you learned something today.”
“Yeah. How to stay outta’ the crowbar hotel,” the slender boy replied.
“Do you mean learning how to game the system or how to stay out of jail?”
Darius noticed La Vonn’s eyes open wide. He turned around in time to see a gray Lincoln Navigator with shiny, twenty-inch wheels and dark tinted windows round a nearby corner. No rap music blared from inside the car, which made Darius suspicious. He heard the sound of footsteps running away from him. He thought it undignified to run. And why would anyone in the neighborhood want to harm him? When the windows came down in unison, a cold chill went through his body. Darius saw young men wearing ski masks inside the car. He had no time to react.
The first shots hit the cinderblock wall of the youth center. Not unlike fireworks on the Fourth of July, Darius remembered thinking before a bullet pierced his chest. At first, he felt like an ice pick had stabbed him in the heart. Then there was a burning sensation. He remembered seeing his body lying on the cracked sidewalk in a pool of blood. The last thoughts that went through his brain were of his parents, his older brother and younger sister, and of course, Rebecca. After that, he sensed his awareness swirling down a dark tunnel opening at the far away end into some kind of scintillating light.
eBook and Paperback Available Now on Amazon and Online Retailers Worldwide
I see a woman shopping in a shoe department. She is long and lean, quite beautiful and unmindful of my lustful stare. She is like so many women men like me desire. I am a fool, of course.
What I want can never be satisfied by any woman. Even the most beautiful woman in the world cannot quench the flame that burns within me.
The joys and sorrows of my relationships come and go like passing clouds. I need them, but…
I often forget what I truly want: You, my beloved. Beyond the fantasies and small desires conjured by a deceitful magician. Mind brandishes multi-colored shrouds in a deft attempt to lure me away from where You reside.
Your palace is more luxurious, more enchanting than any abode the world has to offer. Beyond words. Beyond imagination.
Beyond the boundaries I call myself. Sometimes I catch a glimpse of You. A flawless diamond. Perfection itself.
Too beautiful for these outer eyes to see. More precious than a hundred Spanish treasure ships. Waiting to be discovered.
I had never heard of Carrie Newcomer before a friend played one of her songs (“The Gathering of Spirits”) in an online gazing/meditation class. The song bounced around in my head until I finally had to learn it.
I bought Newcomer’s album of the same name, and I have to say the other songs on it are, for me, an acquired taste. However, I’m glad I was introduced to Carrie’s music and to this song in particular. She’s a unique individual and an unusually talented artist, as you’ll see by clicking on the link above. Here’s my version of “The Gathering of Spirits.” *
In case this blog is too short, here’s my version of another song by Kate Wolf titled “An Unfinished Life.”
Born in San Francisco, Kate Wolf started her musical career in the band Wildwood Flower before recording ten records as a solo artist. Her songs have since been recorded by famous artists such as Nanci Griffith and Emmylou Harris. “Poet’s Heart,” recorded in 1985, is the last album Kate released before her untimely death at the age of forty-four. During her life, Wolf’s music was not widely known beyond the borders of her home state of California. Over the years, Kate has attracted a broader audience of millions who appreciate her beautiful voice, poetic song lyrics, and guitar/piano artistry. “Poet’s Heart” features several songs which have touched me deeply such as, “Slender Thread,” “Brother Warrior,” and the title song, “Poet’s Heart.”
What makes Edward Hopper’s “Nighthawks” painting one of his most celebrated works? Created in 1942, Nighthawks is considered the incarnation of existential art, capturing the alienation and loneliness symptomatic of modern urban life. The following story is inspired by the painting.
I mount the time machine and dial the year nineteen-forty-two. I have a keen interest in the war years. Activities like storming the beaches of Normandy are not high on my priorities list. I stay far behind the front lines. I find the study of American culture during the war years fascinating. I stay away from heavily populated cities to remain inconspicuous. You might say I’m not truly adventurous, excluding, of course, time travel and my voracious appetite for knowledge. I’m a scientist, first and foremost. As soon as I’ve perfected my time-traveling technology, I intend to unveil it in a white paper report and work with a team to use my discoveries for the betterment of mankind.
I finish entering all of the pertinent data into the onboard computer and push the launch button. Seconds later, the machine deposits me in the small town of Independence, Ohio. On this trip, I find myself on a corner across the street from an all-night diner. My trans-spacial watch tells me it’s two-thirty in the morning. Materializing in small towns on deserted streets in the middle of the night is a proven method for avoiding stampeding crowds.
I’m a bit freaked out by the feeling of emptiness the town exudes. I console myself with the thought that I’ve arrived in the middle of the night and everything is closed except, it seems, the diner across the street.
Through the panoramic window, I see four people sitting at the counter inside. My curiosity peaks as I begin, once again, to study life in the past, this time eighty years ago. This morning will be different than the others in one important respect. It marks the first time I will interact with people and environments of the past. I feel that I’ve learned enough from my previous trips to take this momentous step. And, I can no longer resist the urge to relate to people instead of simply observing them.
As I cross the street, I check my reflection in the large window. I’m dressed appropriately for the era in a blue business suit and matching tie with black wingtip shoes and neatly barbered hair. I’ll blend right in. Swinging open the glass and chrome door, I enter the cafe and take a seat at the counter a measured two seats away from a man sitting by himself.
The small diner smells of stale cigarette smoke, fresh coffee, and the faint scent of body odor from the man two seats away. To my right, half the wall is fitted with small bins containing tempting muffins, cakes, and breads. Across the counter, a nice-looking middle-aged couple sit demurely drinking coffee. The man is wearing a gray suit with a matching hat, blue tie, and he’s smoking a chesterfield unfiltered cigarette. The pack lying by his hand on the counter tells me the cigarette brand. The man looks like a lawyer or a doctor. The woman is wearing a green silken cocktail dress. It sets off her blazing red hair nicely. By the looks of the two-carat diamond ring on her hand, I figure the couple is well-off and married. I suppose the couple is drinking coffee to sober up for the drive home after a festive dinner party.
“My name’s Kendall,” he says in a friendly tone.” I wonder if it’s his first or last name. I happen to hate my first name. Who names their kid Saul forty years after the war? It would be a good name for my grandfather. Not for me.
“And I’m Allison,” the woman next to him says.
I’m surprised by the couple’s friendliness. Maybe it’s the late hour and the intimate setting. Maybe people here are friendlier to strangers than they usually are in the other the small towns I’ve visited. Maybe–just maybe–this will be easier than I thought it would be.
“My name’s Saul,” I say to the couple. “Nice to meet you.” I turn to the man next to me, half-expecting him to introduce himself. It suddenly occurs to me that the guy hasn’t moved a muscle since I came through the door.
“Ignore him,” Kendall says. “He’s just part of the scenery.”
“I’m sorry for that unkind remark,” I say to the motionless man. He’s heavy-set, dressed in a brownish green striped suit, and looks every bit like a non-descript traveling salesman.
I turn back to the man named Kendall. “If that was a joke, I don’t think it’s funny. People have feelings. Didn’t your mother teach you that?”
The last thing I want to do is get into an argument with these people, but I can’t help saying something.
“You don’t have to worry about his feelings,” Kendall says.
“And what do you think?” I ask Allison. On closer examination, she looks uncannily like Julianne Moore in her role as Clarice Starling in the sequel to “The Silence of the Lambs.”
“Allison is new,” Kendall replies. “She’s still in training. She’s not supposed to talk much.”
“Wait a minute,” I say. “Who are you people?”
Kendall leans down and pulls a strapped leather briefcase from below the counter. He extracts a file, opens it, and begins reading.
“Let’s see. Saul Grossman, age thirty-two, engineer/designer employed by Raytheon Technologies, assigned to jet engine development, invented and now operates a time machine in his spare time. Does that about cover it, Saul?”
I am beyond shocked. Fear and anger compete to control me. Somehow, I manage not to panic. I don’t want to hear the answer to my next question, but I have to ask.
“How do you know so much about me?”
“You’ve been on our radar,” Kendall says. “Now that you’ve decided to interact with the past, it’s time for us to step in.”
I’m still in shock, but a ray of hope may be peaking through the gathering storm clouds. “Are you time lords, or some sort of benevolent time control agency from the future?”
“Sorry to disappoint, Saul. We’re your local branch office of the NSA. We made some adjustments to your time machine after reading your time journal in which you wrote, ‘I’m now confident that I can interact with the past to make the present better.'”
“So, you broke into my house without my knowledge or consent.”
“That’s about the size of it,” Kendal confirms.
I feel my intestines start to melt. “What sort of ‘adjustments’ are we talking about?”
“For starters, we’re not in the past. We’re in a computer simulation where the only thing that’s real is you.”
I try to imagine how this can be happening. Am I talking to naked human bodies floating in an electrochemical solution inside giant Pyrex glass tubs? Are they fitted with electrodes attached to their heads to facilitate thought-transference-voice-activation to their virtual avatars? Or is it a cutting-edge holographic computer program capable of interacting with a real-live me?
I reach into my pocket to push the button on my remote control extractor. I’m not going to stand still for this. Literally. I’ll be out of here and back in good old 2021 in no time–or a few seconds.
I try again. Still nothing.
“I forgot to mention we disabled your extractor,” Kendall says with a cheeky wink of an eye.
“So now what?”
“Now you stay here for the rest of your natural born existence, my friend.”
“You’re kidding. Right?
“Afraid not, Saul.”
“You can’t do this.”
“Would you rather be thrown in jail?”
“On what grounds?”
Kendall takes the last sip of his coffee. “We’ll think of something. It won’t be pretty.”
“I can’t believe this.”
“It’s an unfortunate situation, Saul. You’ve become a danger to yourself and the rest of us. You played with fire, and now you’re burned. The good news is we know how to use your technology better than you would have used it.”
Kendall grabs the briefcase and guides Allison to the front door. Before they leave, Kendall and Allison wave goodbye. “Have some fun,” Kendall says. “You’re an inventive guy.”
“Don’t leave. Please.”
“We’ll check back with you in another thirty years, if you’re still around,” Allison says with a cheerful smile.
Outside the door, I watch Kendall and Allison dissolve into ghostly vapors, then disperse into thin air.
Copyright 2021 by David Gittlin. All rights reserved.
“The time that’s left is yours to keep.” These words come at the end of the chorus in the song “See Here She Says” by Kate Wolf.
While I find all of the lyrics in this song beautiful, this sentence hit me smack dab in the heart. I can picture a mother teaching a child about life. She is telling the child about the importance of dreams, and to use his or her time wisely. Use it well, not only for yourself, but also for others.
Certainly, love, beauty, and a full range of human emotions come through Kate Wolf’s music. Perhaps I can feel her heart even more, now that she has passed into spirit.
“Lay me Down Easy” is technically a blues song. To me, the song sounds upbeat with a whisper of the blues in the background. And there’s definitely an element of wry humor in the mix. Maybe “bitter sweet” is a better description of “Lay Me Down Easy.”
I’ve been playing many of Kate Wolf’s songs lately. The beauty of Kate’s music steals its way into my heart the more I listen to one of her songs. As illustrated by the photos, I’m feeling the joy and the love in the song more than the backdrop of the blues. Listen, and let me know how you receive it.